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Mailinglist:wwp@yahoogroups.com
Sender:Bruce Hemming
Date/Time:2008-Sep-30 08:50:00
Subject:Re: colour entry

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wwp@yahoogroups.com: Re: colour entry Bruce Hemming 2008-Sep-30 08:50:00
Oh Lordy Caroling, now you've put me on the spot!  The artwork is  
something that my memory has dredged up from long ago.  Strange how  
certain things stick with you - images in particular.  It's a process  
that does interest me, something I think of as persistence of vision,  
not as in the usual sense but the way that memory preserves images.   
It seems to work for others too, as I sent this image to an old  
friend who has lived in New Zealand for 25+ years and he instantly  
new exactly where I had taken the shot.

Back to the artist's identity - my first thoughts were that it might  
have been Victor Pasmore, his son John was my senior tutor at  
college.  He is still a friend but I rarely see him, although  
coincidentally he will be at another friends opening next week so I  
will ask him then.  Howard Hodgkin is another possibility but I'm not  
certain that it was him.  I'll have to try and find out now!

For anyone else interested in a similar experiment I'd pass on the  
following that I learnt.  If you want to create the blur by moving  
the camera - which was my original intention - you will need very  
high factor ND filters.  The highest that I had available was 3 stops  
which is nowhere near enough to get a slow enough shutter speed to  
enable a controlled movement ( I still think in terms of film at  
times - f16 on a 5x4 field camera with 3 stops ND on a slow speed  
film would have worked).  As that didn't work it was back to PS  
manipulation which some might think of as cheating but it is  
controllable of course.

Regards

Bruce

Bruce Hemming












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